All Inclusive is a performance about the aesthetisation of violence.
Julian Hetzel examines the paradoxical principle of “creation through destruction” and explores the explosive force of image wars.
While the destruction of monuments and iconic images have become tools of strategic warfare, the museum became an extension of the battlefield. Here the aesthetisation of violence is made visible and turned into products. What if the souvenirs are actually trophies?
“All Inclusive” juxtaposes art and war, tourists and refugees, reality and imagination in a journey through a temporary exhibition space. The audience is invited to watch a visit through a museum where reality strikes back.