Words

2023

"Reality catching up with art and then being sent back into its cage. Impressive"
– Theaterkrant, Fransien van der Putt

"The clever performance SPAfrica takes a closer look at white audiences’ empathy ★★★★☆"
– De Volkskrant, Annette Embrechts

"It's a call for critical dialogue rather than hollow “alliances”"
– NRC Handelsblad, Marijn Lems

"Clever, complex, irritating and at the same time extremely entertaining and humorous"
– Theater der Zeit, Teresa Schütz

"It seems like the performer is always one step ahead of the audience, exposing and confronting even the most ‘naturalized,’ yet inherently racist assumptions and associations."
– SPRING report, Agata Kok

"Combining clean design and a sharp sense of humor with raw and explosive content, Julian Hetzel's works present ambiguous and sometimes politically incorrect invitations for independent thinking."
– "Doing Dramaturgy: Thinking Through Theatre" by Prof. dr. Maaike Bleeker

2022

"In art and media, trauma is gold – a conversation with Julian Hetzel on his show All Inclusive"
– Poptown, Julia Czub

"There Will Be Light zet aan het denken over de waarde van geld, en waarom we het nooit over herverdeling hebben"
– De Volkskrant, Vincent Kouters

"Sex, drugs and a basic income at SPRING theatre festival SPRING"
– NRC Handelsblad, Sander Janssen

"The uncanny ambiguity of hope – Julian Hetzel’s There Will Be Light"
– Metropolis M, Joris van den Einden

"There Will Be Light: Hetzel takes another critical look at social relations"
– NRC Handelsblad, Marijn Lems

"Money. We think about it so much, but do we actually know what we need it for?"
– SPRING blog, Migle Markulyte

2021

"Theatre maker Julian Hetzel: I claimed the role of the parasite"
– Het Parool, Elise van Dam

Lees meer

"We ordered a head of Adolf Hitler in bronze and I have to admit that fascism was too hard to break because a bronze statue was really a tough thing to grind."
– Interview with Julian Hetzel - SPRING Podcast

Listen

"This project also aims to stimulate the process of transformation, the process of looking how a negative resource or trauma can be used in a pro-active way. It kinds of provide a new perspective or at least something for the present to work with."
– KLAP

2020

"With Mount Average, Hetzel adds another exciting, ambiguous work to his oeuvre. – ★★★★☆"
– NRC Handelsblad, Sander Janssens

"Playful tour in the factory of the future."
– Theaterkrant, Moos van den Broek

"The installatie Mount Average calls for reflection. ★★★★☆"
– De Volkskrant, Karin Veraart

"The wall between the theater and the street should disappear – A conversation with Julian Hetzel"
– Mister Motley, Milo Vermeire

2019

"Abrasive satire"
– La Liberation (French)

2018

"Julian Hetzel presents another politically charged performance at the intersection of theater and visual arts. – ★★★★☆"
– Knack Focus

"All inclusive offers painfully recognizable scenes, where you have to laugh as often as you frown. Hetzel unmasks the often too grandiose intentions of art and casts a critical light on the thin line between engagement and exploitation, including his own. – ★★★★☆"
– De Standaard

"All Inclusive is a performance as brilliant as it is painful, an attack on our own morality. – ★★★★★"
– Theaterkrant, Moos van den Broek

"All Inclusive by Julian Hetzel is a confident performance about the boundary between engagement and empathy porn. The casting of Kristien De Proost is a masterstroke. – ★★★★☆"
– NRC Handelsblad, Marijn Lems

2017

"Julian Hetzel: The border between an artist and an activist is thin."
– Interview in MaCulture (French)

"Hetzel shows the porous border between art, gaming and war."
– Theaterkrant, Fransien van der Putt

2014

"The discomfort in the neo-liberal culture"
– e-tcetera, Pieter T’Jonck

"At a time when artworks are destroyed by terrorists this performance becomes tremendously topical. – ★★★★★"
– Kurier Vienna